How to Edit Podcasts Fast with Dexster Audio EditorEditing podcasts quickly doesn’t mean cutting corners — it means using efficient workflows, the right tools, and repeatable techniques. Dexster Audio Editor is a lightweight, Windows-based audio editor with many features that make podcast editing fast and reliable. This article walks through preparing, recording cleanup, content editing, polish, and export steps to help you produce episodes faster without sacrificing quality.
Why speed matters (without sacrificing quality)
Faster editing lets you publish more consistently, reduces producer burnout, and frees time for promotion and content planning. The goal is repeatability: establish a workflow you can run through quickly each episode. Dexster’s straightforward interface, keyboard shortcuts, and common podcast-focused features support that.
Before you open Dexster: preparation that saves time
- Record with good source audio. The cleaner the recording, the less editing needed. Use dynamic mics, proper mic technique, pop filters, and a quiet room.
- Use consistent project settings (sample rate, bit depth) across episodes. Consistent settings reduce import/export overhead and avoid resampling artifacts.
- Label takes and files clearly when recording (guest name, segment, take number). Organized files speed locating clips in Dexster.
- Create a folder template for each episode: raw/, edits/, assets/ (music, stings), final/.
Set up Dexster for fast editing
- Create or load a project template with your preferred sample rate (44.1 or 48 kHz), bit depth, and default track names (Host, Guest, Music, SFX).
- Configure keyboard shortcuts you’ll use often (cut, delete, ripple delete if supported, zoom in/out, split). Learning and customizing shortcuts pays off immediately.
- Import your audio and assets into the project in a consistent order: main tracks first (host, guest), then music, then sound effects. Dexster supports common formats (WAV, MP3) — use WAV for primary recordings for best quality.
Quick cleanup: fix audio problems fast
- Normalize levels early. Apply a light normalization (e.g., to -3 to -6 dBFS) to get a consistent starting point.
- Use noise reduction only where needed. Dexster has noise removal tools — capture a noise profile from a silent segment, then apply conservatively. Overdoing it introduces artifacts.
- De-essing and mild EQ: tame harsh sibilance and build clarity quickly. A simple high-pass filter around 80–100 Hz removes rumble; gentle presence boost around 3–6 kHz can improve intelligibility.
- Remove clicks/pops and obvious mouth noises with local edits or a click removal tool.
- Clip gain automation: if one speaker is much louder intermittently, use short gain adjustments rather than heavy compression at first.
Tip: Work non-destructively when possible (save copies or use an edits folder) so you can return if needed.
Fast structural editing (the core podcast edit)
- Listen through and mark edit points. Use Dexster’s markers or simply split at points you’ll remove. Markers speed navigation and make batch processing easier.
- Use these editing passes:
- Trim silence at the start/end of the recording.
- Remove long pauses, stumbles, and off-topic tangents. Keep the conversational flow natural — don’t over-chop.
- Tighten dialogue: remove “uh/um” where they interrupt flow, but preserve natural rhythm.
- Replace or reposition segments (e.g., move an ad or sponsor read) using cut-and-paste on the timeline.
- Use ripple-edit behavior (if Dexster supports it) or glue tracks to maintain sync when removing or inserting content. If ripple edit isn’t available, select and move remaining audio to close gaps.
Keyboard tip: chart out a few essential shortcuts (split, delete, move left/right) on a sticky note by your monitor until they’re muscle memory.
Multitrack and mixing basics—fast and practical
- Keep voice tracks separate from music/SFX tracks. This makes quick level adjustments easy.
- Set voice levels to a rough target: average spoken sections around -16 to -12 LUFS (loudness units) is a common podcast mixing target before final loudness processing. Dexster may not measure LUFS natively; use metering plugins or your mastering chain to verify.
- Use a single compressor on each voice: moderate ratio (2:1–4:1), quick attack, medium release to even out dynamics but retain natural delivery.
- Ducking music under speech: sidechain or manual automation to reduce music during voices. Manual volume automation is quick and precise if sidechaining isn’t available.
- Apply a low-cut on music tracks below 100 Hz so they don’t muddy voices.
Comparison (quick):
Task | Fast approach |
---|---|
Voice leveling | Normalize + light compression |
Music under voice | Manual gain automation or sidechain |
Noise issues | Targeted noise reduction, not broad strokes |
Use templates, presets, and macros
- Save EQ, compressor, and noise reduction settings as presets. A consistent preset for each host speeds repeatable results.
- If Dexster supports macros or batch processing, automate repetitive tasks like normalizing, noise profile application, or exporting multiple formats.
- Create an export preset for podcast delivery (e.g., 128–192 kbps MP3, 48 kHz) and one for archive (WAV, 48 kHz, 24-bit).
Shortcuts for polishing quickly
- Batch process silence removal for long backroom noise sections, if available.
- Use spectral view (if Dexster has it) to visually find and remove problem frequencies like hums or isolated noises.
- Quickly audition alternate takes by duplicating a track region and swapping clips while keeping fades intact.
Final checks and loudness/export
- Do a final listen-through for timing, awkward cuts, and level consistency—use headphones and speakers if possible.
- Apply a final limiter to catch peaks and set your final integrated loudness. For podcast platforms, aim for -16 LUFS (stereo) or -19 LUFS (mono) as common targets; some platforms prefer -14 LUFS. Choose your target based on your distribution platform.
- Export final episode using your export preset. Create two versions if needed (streaming MP3 and archival WAV). Tag MP3 metadata (episode title, author, artwork) before publishing.
Save time with a standard checklist
Create a one-page checklist to run each episode through — example items:
- Import files and name tracks
- Apply noise reduction preset (if needed)
- Normalize tracks
- Edit for structure (marker pass, cut pass)
- Compression/EQ per voice
- Add music/SFX and duck under voice
- Final pass: fades, transitions, metadata, export
Example quick workflow (30–90 minute episode)
- Import (2–3 minutes)
- Normalize & basic cleanup (5–10 minutes)
- Structural edit (15–40 minutes)
- Mix voices & music (10–20 minutes)
- Final checks & export (5–10 minutes)
Troubleshooting common speed bumps
- If noise removal creates artifacts: reduce strength, shorten processing region, or re-record if practical.
- If edits sound choppy: add short crossfades (5–20 ms) at cuts to smooth transitions.
- If guest audio is much quieter: use clip gain or selective compression on that track rather than boosting the whole mix.
Conclusion
Fast podcast editing in Dexster Audio Editor is achievable by combining good source recordings, project templates, consistent presets, keyboard shortcuts, and a small set of reliable passes: cleanup, structural editing, mixing, and loudness export. Build a short checklist and invest a little time upfront to set templates and macros — those minutes save hours every episode.
If you want, I can create:
- a printable episode checklist tailored to Dexster’s UI, or
- sample EQ/compressor settings to try on a typical spoken voice.